Recent SYLLABI
(co-authored with Che Gossett) “A Syllabus on Transgender and Nonbinary Methods for Art and Art History,” Art Journal 80.4 (Winter 2021): 100–115. Click here for PDF.
Methods for Art History / “Theory and Interpretation in the Visual Arts” (Fall 2022 graduate seminar, University of Virginia)
“Transgender Methods for the History of Art and Performance” (Spring 2023 graduate seminar, University of Virginia)
“American Art and Transgender History” (Spring 2021 graduate seminar, Freie Universität Berlin)
“Street Actions: Public Performance Art in the City of New York in the 1970s and 1980s” (Fall 2020 graduate seminar, Freie Universität Berlin)
“Objects, Agents, and Audiences: Sculpture and its Expansions in the United States from the 1950s to 1990s” (Fall 2020 undergraduate seminar, Freie Universität Berlin)
“Abstraction: Black, Transgender, and Queer Views” (Spring 2019 undergraduate seminar, co-taught with Sampada Aranke)
“Persona, Performance, and the Modern Artist in the 19th Century” (Fall 2018 graduate seminar)
“Queer Theories” (Fall 2017 graduate seminar)
[students and teachers: if you are looking for, but do not have access to, texts on the syllabi, please contact me]
SHARED ONLINE RESOURCES
A selection of hard-to-find and out-of-print catalogues, books, and texts by other authors.
See also my list of essay PDFs.
Gregory Battcock, “New Frontiers in Erotic Art,” Screw (6 December 1971): 4-11.
Stonewall Romances: A Tenth Anniversary Celebration (New York: “Flower Beneath the Foot” Press, 1979). Interviews by Steven Watson, photographs by Ray Dobbins, drawings by Joe Longo, story script by Charles Webb, collages by Mark Simon, cover and interview illustrations by Daniel Abraham. Featuring memoir by Sylvia Rivera, poem by Jimmy Camicia about Marsha P. Johnson, recollections of gay bars and bookstores, and cameos of Agosto Machado, Peter Hujar, and others.